was mary poppins filmed in color

Realistically, Mary would be wearing a bit of rouge on her cheeks and lips, and nothing else. A children's classic, Mary Poppins is considered to be among the finest of Walt Disney's productions. I would like to start by making it clear that this article is in no way meant to discredit the costume designer of the film. With Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer. The directors were obviously going for 1960s makeup trends, because she is wearing way too much for this time period. Unlike the blue screen, which required tampering with actual film strips to achieve the effect, Vlahos' method was completely within the camera. This is a scene from "Mary Poppins," a 1964 classic directed by Robert Stevenson. Although she had appeared in TV movies and on shows, and she voiced a character in an animated film, "Mary Poppins" was Andrews' first major live-action movie. En . Free shipping for many products! Project Leader and Principal Investigator: Prof. Dr. Barbara Flueckiger, [emailprotected], Dr. Evelyn Echle, Scientific Research Manager [emailprotected], BSc Gaudenz Halter, Software Development Color Film Analyses, video annotation und crowdsourcing platform VIAN, in collaboration with Visualization and MultiMedia Lab of Prof. Dr. Renato Pajarola, University of Zurich, (Enrique G. Paredes, PhD; Rafael Ballester-Ripoll, PhD) since 07.2017, BSc Noyan Evirgen,Software Development, in collaboration with Visualization and MultiMedia Lab von Prof. Dr. Renato Pajarola, Universitt Zrich (Enrique G. Paredes, PhD; Rafael Ballester-Ripoll, PhD), 03.201701.2018, BA Manuel Joller, BA Ursina Frh, BA/MA Valentina Romero, Prof. Dr. Barbara Flueckiger,[emailprotected], MA Noemi Daugaard, PhD Candidate, [emailprotected] [30] In a 2003 poll by Empire magazine of the worst film accents of all time, he came in second. Lets get a round of applause for this attention to detail. According to the New Yorker, Travers cried while watching the premiere of the movie. The Shermans took inspiration from Edwardian British music hall music. A man with multiple heads. The first novel in the Mary Poppins series was the film's main basis. Among other wins, Andrews won for best actress and the Sherman brothers won for their hit songs. [8], A biographical drama on the making of the film, Saving Mr. Banks, was released on October 20, 2013. An actor is filmed performing in front of a white screen that is lit with powerful sodium vapor lights. We also have to keep in mind that this dress is pure fantasy, and is one of the only inaccurate pieces in the film. David Tomlinson, who played Mr. Banks, was also the voice of Mary Poppins' talking umbrella, according to Brothers' Ink Productions. Mary Poppins is considered Walt Disney's crowning live-action achievement and is the only one of his films which earned a Best Picture nomination during his lifetime. Source: Commentary on Mary Poppins on DVD, When a film is released late in a calendar year (OctoberDecember), its income is reported in the following year's compendium, unless the film made a particularly fast impact (Steinberg, p. 17), British Academy of Film and Television Arts, Best Screenplay Based on Material from Another Medium, Best Music Score Substantially Original, Best Scoring of Music Adaptation or Treatment, Most Promising Newcomer to Leading Film Roles, Outstanding Directorial Achievement in Motion Pictures, Best Actor in a Motion Picture Musical or Comedy, Best Actress in a Motion Picture Musical or Comedy, Best Original Score Written for a Motion Picture or Television Show, Simpsoncalifragilisticexpiala(Annoyed Grunt)cious, "LOT #95132 Mary Poppins Movie Poster Preliminary Painting by Paul Wenzel (Walt Disney, 1964)", "Supercalifragilisticexpialidocious: Remembering "Mary Poppins" on its 50th Anniversary", "Library of Congress announces 2013 National Film Registry selections", "Why Julie Andrews won't be starring in Mary Poppins movie", "Saving Mr Banks: the true story of Walt Disney's battle to make Mary Poppins", "Valerie Lawson talks 'Mary Poppins, She Wrote' and P.L Travers", "View from a Local Vantage Point: On the Harvey, Disney Production Schedule", "18 Supercalifragilistic Facts About Mary Poppins", "Walt Disney, P.L. "Mary Poppins" and "Mary Poppins Returns" are based on a children's book series by Australian-English writer P.L. Data Management Timeline of Historical Film Colors: MA Sabrina Zger, BA Manuel Joller, BA Jamie-Lee Moser, MA Meredith Stalder,MA Valentina Romero. Even if it had a rubber point, youd be all over the place. Shipping and handling. The next day at the bank, the children meet the elderly Mr. Mary Poppins 1964 G 2 h 19 m IMDb RATING 7.8 /10 176K YOUR RATING Rate POPULARITY 941 86 Play trailer 1:36 14 Videos 99+ Photos Comedy Family Fantasy In turn of the century London, a magical nanny employs music and adventure to help two neglected children become closer to their father. Jane and Michael flee the bank, getting lost in the East End of London until they again meet up with Bert, now working as a chimney sweep, who escorts them home ("Chim Chim Cheree"). Jay Maidment/Disney Enterprises, Inc. That goes for the setting, too, of course. MARY POPPINS & MARY POPPINS COMES BACK ~ P.L Travers ~ Mary Shapard ~ Color 1937. Bert tells Mr. Banks that he needs to spend more time with his children before they grow up ("A Man Has Dreams"). It's a film often regarded as Walt Disney's crowning live-action achievement, being the only Disney film to ever be nominated for Best Picture in his lifetime. The 1910s were a decade known for its sophistication and elegance under the rule of King Edward VII, so the silhouette included a cinched S shaped waist, a full bust, and a long narrow skirt. Many women in this era wore a rendition of the pompadour or another very similar style. There was an issue, however. If you want more information on this specific topic, I highly recommend watching, on YouTube, featuring fashion historians Bernadette Banner and Raissa Bretana, as I got a lot of information from them, along with the article on tudorlinks.com titled. In addition to Julie Andrews' Oscar for best actress, the film won the awards for best editing, best special visual . [1][2] Travers was not extended an invitation to the event, but managed to obtain one from a Disney executive. But it's this overlooked achievement that helped "Mary Poppins" change the course of film history forever. On Mary Poppins Returns, Hatzer and team began color grading and design during early test shoots for lenses and costumes, all while the workflow and color transforms were finalized for dailies and visual effects. Mary Poppins Was Filmed Entirely At The Walt Disney Studios Despite the entire film being set in London, Mary Poppins was filmed at the Walt Disney Studios in Burbank, California and used painted set design in the background to make it look like the English capital. Since February 2016 the database has been redevelopedin the framework of the research project Film Colors. It ended up taking home the award for best scenic design of a musical. Also, all Walt Disney World Railroad steam locomotives are fitted with a boiler safety device marked "MAPO. Please use the Stripe interface to pay conveniently online. . She said, 'This is Emily's show, and I really want it to be Emily's show. "[28], Disney cast Dick Van Dyke in the main supporting role of Bert after seeing his work on The Dick Van Dyke Show. The children overhear the phone call and realize that their father is in trouble. The film's audio track featured an "Enhanced Home Theater Mix" consisting of replaced sound effects (to make the soundtrack more "modern") and improved fidelity and mixing and some enhanced music (this version was also shown on 20062012 ABC Family airings of the movie), though the DVD also included the original soundtrack as an audio option. This was the inspiration for the famed song in "Mary Poppins," according to writer Joe Schwarcz's article on the history of the phrase "spoonful of sugar" that was published on McGill University's Office for Science and Society. 80 financial contributors sponsored the crowdfunding campaign Database of Historical Film Colors with more than USD 11.100 in 2012. If you want more information on this specific topic, I highly recommend watching Glamours video series titled Fashion Expert Fact Checks on YouTube, featuring fashion historians Bernadette Banner and Raissa Bretana, as I got a lot of information from them, along with the article on tudorlinks.com titled Fashion in the Edwardian Era. So when Walt Disney acquired the live-action film rights to "Mary Poppins," they wanted to take the opportunity to push the technology even further. But instead of hiring a special effects artist for the job, Disney instead asked for help from the engineer and inventor Petro Vlahos. Credit: Library of Congress. Outside, they meet Mary's old friend, Bert, a jack of all trades working as a street painter; Mary Poppins uses her magic to transport the group into one of his drawings. I would like to start by making it clear that this article is in no way meant to discredit the costume designer of the film. Despite being part of several meetings with Disney creators, Travers said she never approved of the final version of the "Mary Poppins" film. Find many great new & used options and get the best deals for Mary Poppins Practically Perfect in Every Way Shirt Disney Her Universe XL/NWT at the best online prices at eBay! Gods Visit to a Two-Stoplight Town in Kentucky, Prayer, Fasting, & Almsgiving: How to Live Lent Well, All of Our Favorite Romance Tropes, Ranked. The letters unscramble themselves during the end credits to reveal the actor's real name. Technologies, Cultures, Institutions funded by a grant from Swiss National Science Foundation. With all of the social change came change in fashions as well. Julie Andrews Stars as Famous Nanny. After the duo meets up with the children, Mary Poppins enchants the carousel horses; Bert rescues a fox from a fox hunt; they take part in a horse race which Mary wins. The earliest written record of a variant of the word is in a 1931 newspaper column by Helen Herman, and another close variant was used by a different group of songwriters in 1949. Rob Marshall, the director of "Mary Poppins Returns," told Entertainment Weekly in 2017 that Andrews declined a role in the sequel because she wanted people to focus on Emily Blunt's performance in the leading role. After . On December 14, 2004, it had a 2-disc DVD release in a Digitally Restored 40th Anniversary Edition as well as its final issue in the VHS format. Mary Poppins was first released in late 1980 on VHS, Betamax, CED and LaserDisc. But utmost sophistication (the chimney pot sequence crisply cut by Oscared "Cotton" Warburton) and high-level invention (a tea party on the ceiling, a staircase of black smoke to the city's top) characterized its handling. Hats in the Edwardian period for women in the upper middle class were often wide-brimmed like the one Mary is wearing, but were adorned with much more decoration. Mr. Dawes mulls over the joke and, finally understanding it, floats up into the air, laughing. The result was what eventually became the basis of the modern green screen. Nixon later provided the singing voice for Hepburn in My Fair Lady and played one of Andrews' fellow nuns in The Sound of Music. On January 27, 2009, the film was released on DVD again as a 45th anniversary edition, with more language tracks and special features (though the film's "Enhanced Home Theater Mix" was not included). (The movie suggests that this demand had to do with seeing her father. Mary Poppins (1964) Technical Specifications. His innovationeventually became the basis of the modern green screen. It was adapted from the P.L. ("Perfect Nanny") Winifred (who strongly agrees with the children) tries to keep the peace. Disney's monorail system pays homage to this film by naming the MAPO (MAry POppins) safety system included on all Disney monorails. Thank goodness she is wearing stockings, because the showing of ankles, like makeup, was seen as rather scandalous and unsophisticated. Apart from these fundamental connections in terms of the technology of color processes, film and photography also share and exchange color attributions and aesthetics. With contributions by Michelle Beutler, Noemi Daugaard, Josephine Diecke, Evelyn Echle, Barbara Flueckiger, Eirik Frisvold Hanssen, Eva Hielscher, Thilo Koenig, Jolle Kost, Franziska Kunze, Bregt Lameris, David Pfluger, Ulrich Ruedel, Mona Schubert, Simon Spiegel, Olivia Kristina Stutz, Giorgio Trumpy, Martin Weiss, Nadine Wietlisbach "[46], For The Hollywood Reporter, James Powers applauded the performances, visual effects, musical score, production design, and the choreography. However compelling the story may be, this movie set in the past sparks a question: Are the costumes historically accurate? Well, more specifically, the yellow hue from sodium gas. Describing her victory, Mary Poppins uses a nonsense word ("Supercalifragilisticexpialidocious"). Works of contemporary photographers and artists who reflect on technological and culture-theoretical aspects of the material of color underline these relations. As Barbara Burman said, Home dressmaking was sustained as an important aid for women negotiating wider social shifts and tensions in their lives. Throughout all of the fashionable changes during this time, the character of Mary Poppins falls in the upper middle class, so we will be focusing primarily on upper class fashions. We have no doubt it will be 'supercalifragilisticexpialidocious'. Runtime : 2 hr 19 min (139 min) . [61], Mary Poppins is widely considered Walt Disney's "crowning achievement". Financing the Timeline of Historical Film Colors? It was at the after-party that Richard Sherman recalled her walking up to Disney and loudly announcing that the animated sequence had to go. On the review aggregator website Rotten Tomatoes, the films holds a 96% rating, based on 55 reviews with an average rating of 8.4/10. [39] Irwin Kostal arranged and conducted the film's score. And this single technique would go on to be used for almost 40 years, in notable films like Alfred Hitchcock's "The Birds" and the original "Pete's Dragon.". Cosmetics such as eyeshadow, eyeliner, and lipstick wouldnt even become widely available for another 10 years, so it makes little sense that she is wearing them in this look. A happier Mr. Banks is found at home, having fixed his children's kite, and takes the family out to fly it. Imagination had no boundaries but film did. In contrast, Jane and Michael present their own advertisement for a kinder, sweeter nanny. To bring "Mary Poppins" to life, Disney hired the engineer and inventor, Petro Vlahos. Enjoy! There's singing, dancing, magic, and bright, colorful characters. Mr. Banks then gets a phone call from the bank requesting a meeting with him about what the children did. For this reason, Vlahos is often regarded as the man who made the modern blockbuster possible. You need to look no further than this veil that Julie Andrews is wearing to see how impressive this technology really was. With all of the social change came change in fashions as well. Subscribe to the blog to receive all the news: https://blog.filmcolors.org/ (check out sidebar on individual entries for the follow button). The isolated subjects would then be placed on top of a pre-shot background known as a plate to create a single seamless image. eBay item number: 314425379255. For more formal events, a decorative sash could be worn on the hips for a pop of color. Taking it upon himself to hire a new nanny, Mr. Banks advertises for a stern, no-nonsense nanny. In: The New York Times, Sep., p. 34. Mary Poppins is a 1964 American musical fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. The film's composers, Richard and Robert Sherman, are often credited with the creation of the word, and they have said they made it up. She meets the children and helps them magically tidy their nursery by snapping her fingers, before heading out for a walk in the park ("Spoonful of Sugar"). A very slim petticoat would be worn over this, and then a narrow skirt would be put on last. In Edwardian-era London, in the spring of 1910, George Banks returns home, at number 17 Cherry Tree Lane, to learn from his wife, Winifred, that the babysitter Katie Nanna has left their service after their children, Jane and Michael, had ran away, "For the fourth time this week," ("Life I Lead"). Because of this, some important elements can get lost in portraying fashions with historical accuracy in movies. After ordering Jane and Michael to go to bed, Mr. Banks rips up the letter and throws the scraps in the fireplace, but a strong wind draws the fragments up through the chimney and into the air. Since 2016, the team of the research project ERC Advanced Grant FilmColors has been collecting and adding written sources and photographs. Dick Van Dyke paid Walt Disney for a second role in 'Mary Poppins' . The color blue was selected mainly because it was a color farthest from the skin tone. the story was elemental, even trite. After receiving the polio vaccine, Robert Sherman's son told his father he was given a lump of sugar on a spoon. Mary Poppins and Mary Poppins Comes Back HC by P . The most popular hairstyle for women of the Edwardian era was the pompadour style, as seen on the fictional Gibson Girl (a widely popular illustration of the feminine beauty ideal at the time). Nearly 50 years later, Van Dyke appeared in "Mary Poppins Returns" as Mr. Dawes Jr., the son of his bonus character from the first film. [43][60] Walt Disney used his huge profits from the film to purchase land in central Florida and finance the construction of Walt Disney World. And that red corset-like waist cincher has no place being there either, as it gives an hourglass figure to her silhouette rather than an S shaped one. Get Free Mary Poppins Script Pdf For Free . Starring as Jane and Michael Banks in "Mary Poppins" was not the first or last time Karen Dotrice and Matthew Garber worked together. The three and Mary Poppins venture onto the rooftops, where they have a song-and-dance number with other chimney sweeps, which spills out into the Banks' home ("Step in Time") after their neighbor Admiral Boom shoots cartoon fireworks at them, mistaking them for robbers and calling them "cheeky devils". During the film's end titles, "Navckid Keyd", an. Disney pushed back the production of the film to ensure Julie Andrews could play Mary Poppins. Although PL Travers, the author of the books, lived in London - you can find a blue plaque outside her former home at 50 Smith Street in Chelsea - the 1964 Mary Poppins was filmed entirely in the Walt Disney Studios in Burbank, California. [27] Robert Sherman dubbed the speaking voice for Jane Darwell because Darwell's voice was too weak to be heard in the soundtrack. Mary Poppins (USA 1964, Robert Stevenson). From the whimsical and fun story to the colorful animation sequences, the almost 60 year old film is a classic. As Mr. Banks says during one of his songs, the film takes place in 1910 in England, towards the end of the Edwardian era. an . The actress was pregnant when Disney offered her the role, but he wanted Andrews to play Mary Poppins so badly that he postponed filming for her, according to the same Los Angeles Times article. In 1998, this film became Disney's first feature film released on DVD. Although Disney followed her request not to make the movie entirely animated, Travers later also said she wanted the animation sequence in the film to be removed, but that she was told it was too late to do so. [57], The film was very profitable for Disney. Before the rise of films in the 1920s, noticeable makeup was seen as scandalous in Edwardian society, and women who wore too much were referred to as painted ladies. These societal rules were rarely broken, especially by those in the upper middle class unless they wanted to be outcasts in society. [6], The film was the twentieth most popular sound film of the twentieth century in the UK with admissions of 14 million. She'd never seen "Mary Poppins," the 1964 film starring Dame Julie Andrews, the great Dick Van Dyke, of course, based on books by P.L. The film was shot entirely at the Walt Disney Studios in Burbank, California, using painted London background scenes. Photographs of the Technicolor V dye-transfer safety print by Jolle Kost, ERC Advanced Grant FilmColors. View Link, Quote as Flueckiger, Barbara (2012 ff. So where did they go wrong? [7] In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The creators definitely took some modern creative liberties with this dress. Its important to note that decades of womens fashion are defined by the silhouettes of the dresses they wore during that period. Dawes., Senior. I was crying because she was articulating the whole essence of the movie which was about the power of love," he told The Guardian. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel. Las mejores ofertas para GAF View-Master - Walt Disney Mary Poppins - 3 carretes buen color estn en eBay Compara precios y caractersticas de productos nuevos y usados Muchos artculos con envo gratis! The scene you're about to watch is perhaps one of the most important and influential sequences in the history of cinema. She noted that "Some of the sequences have real charm, and perhaps the kids will eat them up. Barbara Flueckiger, Experts, scholars, institutions|Sponsors, supporters, patrons of the crowdfunding campaign, April 23 to July 21, 2012, April 23 to July 21, 2012, $11,175 raised. In 2004, the Los Angeles Times reported that Disney offered Andrews one of her most iconic roles after seeing her in "Camelot" on Broadway. From the whimsical and fun story to the colorful animation sequences, the almost 60 year old film is a classic. Several decades after the release of the film, the American actor told The Guardian he was sorry for his "atrocious cockney accent" in "Mary Poppins.". The same light you see in street lamps. The proper English father is too preoccupied with his responsibility at the bank; the mother, an ardent suffragette, is not really aware that their two children, left in the . Technicolor, Hollywood (CA), USA (color) Film Length : 3,840 m (Finland) Negative Format : 35 mm (Eastman 50T 5251) Cinematographic Process : Spherical Printed Film Format : This simplified the process of creating a more accurate matte, the silhouette image that's vital to the process. I would say, for the most part, yes they are. After the success of "Mary Poppins," Vlahos would go on to further develop and improve the chroma key process. Each sponsor receives a credit on the acknowledgement page: http://zauberklang.ch/acknowledgements.html. Well, maybe Janelle Nelson. Technicolor No. Find many great new & used options and get the best deals for P. L. Travers MARY POPPINS AND MARY POPPINS COMES BACK at the best online prices at eBay! "Bob and I spent two and a half years writing 34 songs, many for sequences that were never used, since we didn't have a final script to work to," Richard told The Guardian. the hit 1964 film turned Broadway musical starring Julie Andrews, is notably one of my favorites. As films evolved, this posed a great challenge for early filmmakers. There are many problems with the accuracy of this look. Andrews also won the Oscar for Best Actress for her role. Fully aware of its limitations, he sought for another color to replace it. The film concerns a magical London nanny (played by Andrews) who mysteriously appears at a troubled household to . Mary Poppins is a classic. In Mary Poppins Returns , the whereabouts of Van Dyke's chimney sweep Bert are explained away quite early on as "traveling the world, off to parts unknown." However, the same cannot be said for . Beating out Audrey Hepburn's "My Fair Lady" (1964), "Mary Poppins" was the highest-grossing film of 1964 with over $102 million earned in the US and Canada, according to IMDb. [40], Mary Poppins premiered on August 27, 1964, at Grauman's Chinese Theatre in Los Angeles. Peter Menefee, one of the twelve dancing chimney sweeps supporting Bert, provided some insight into the choreography of the film: The choreography wasnt really done until we got there and they mounted it on us. For example, Dick Van Dyke could wear this blue bow tie and socks, and because sodium gas emits a very specific hue of yellow, he was also able to wear a blazer with yellow stripes. Mary Poppins (1964) was his plum. 1 Nomination. Dick Van Dyke played two characters in the original film, and he had a small role in the sequel. Next, lets take a look at her makeup. A lot in animation has changed in the 54 years since Mary Poppins and a gaggle of dancing penguins blew young viewers' minds in 1964. Travers book of the same name. Mary Poppins, American musical film, released in 1964, that features the now-iconic screen debut of Julie Andrews. In the film, the word is meant to be used when you have nothing to say. In addition, Disney was then known primarily as a producer of cartoons and had yet to produce any major live-action work. Together, they sing ("Jolly Holiday"), and Bert flirts with Mary Poppins. In an interview with Stephen Colbert on his show in 2017, Andrews said she almost got hurt filming her final flying scene in "Mary Poppins. The dress bodice, though frilly, is much too tight for this time period, because sleeves were rather loose during this era in fashion. Free shipping for many products! I don't want that. Were going to review the look most popularly associated with this character and break down the elements that the costume designer got right and wrong when designing these historically accurate costumes. Follow the links Access detailed information to access the currently available detail pages for individual processes. But speaking as a grownup, I found a little bit went a long way." Travers. The Material of Color in Photography and Film, Department of Film Studies, University of Zurich, crowdfunding campaign Database of Historical Film Colors, contact the author immediately and directly, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, http://zauberklang.ch/acknowledgements.html, Prof. Dr. David Rodowick, Chair, Harvard University, Department of Visual and Environmental Studies, Prof. Dr. Margrit Trhler, Department of Film Studies, University of Zurich, Prof. Dr. Jrg Schweinitz, Department of Film Studies, University of Zurich, Prof. Dr. Christine N. 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Rochester, NY, Joakim Reuteler, Digital Humanities Lab, University of Basel, Prof. Dr. Rudolf Gschwind, Director, Imaging and Media Lab, University of Basel, Erwin Zbinden, Researcher, University of Basel, George Willeman, Nitrate Film Vault Manager, Library of Congress, Lynanne Schweighofer, Safety Film Vault Manager,Library of Congress, David Pierce, Library of Congress, Assistant Chief, Library of Congress, Kieron Webb, Technical Projects Officer, British Film Institute, Bryony Dixon, Silent Film Curator, British Film Institute, Dr. Jan-Christopher Horak, Director, UCLA Film & Television Archive, Todd Wiener, Motion Picture Archivist, UCLA Film & Television Archive, Dr. Cline Ruivo, Director Film Collections, Cinmathque Franaise, Dr. Iris Deniozou, Archivist, Cinmathque Franaise, Nicola Mazzanti, Associate Director, Royal Film Archive of Belgium, Laurent Mannoni, Directeur scientifique du patrimoine et du Conservatoire des techniques, Cinmathque franaise, Franois Ede, Researcher and Film Restorer, Andrea Meneghelli, Cineteca di Bologna, Archivio Film, Alessandra Bani, Cineteca di Bologna, Archivio Fotografico, Hege Stensrud Hsien, Director, National Library of Norway, Dr. Eirik Frisvold Hanssen, Head of Film and Broadcasting Section, National Library of Norway, Tina Anckarmann, Film Archivist, National Library of Norway, Prof. Martin Koerber, Leiter der Abteilung Film, Deutsche Kinemathek, Brian Pritchard, Motion Picture and Film Archive Consultant, Bertrand Lavdrine, Centre de Recherche sur la Conservation des Collections Paris, Mikko Kuutti, Deputy Director, Kansallinen audiovisuaalinen arkisto / National Audiovisual Archive, Finland, Juha Kindberg, Film Collection, Kansallinen audiovisuaalinen arkisto / National Audiovisual Archive, Finland, Dr Kelley Wilder, Senior Research Fellow, De Montfort University, Michael Harvey, Curator of Cinematography, National Media Museum, Bradford, Ruth Kitchin, Collections Assistant, National Media Museum, Bradford, Kathryn Gronsbell, Moving Image Archiving & Preservation, NYU, Gisela Harich-Hamburger, Photo Conservator, Dr Luke McKernan, Lead Curator, Moving Image, The British Library, Dr Michael Pritchard FRPS, FBIPP, Director-General, The Royal Photographic Society, John Falconer, Lead Curator Visual Arts, Curator of Photographs, The British Library, Dr. Anna Batistov, Nrodn filmov archiv / National Film Archive, Prague, Lenka astn, Nrodn filmov archiv / National Film Archive, Prague, Toni Booth, Curator, National Science and Media Museum, Bradford, Sylvie Pnichon, Conservator of Photographs, Amon Carter Museum of American Art, Gawain Weaver, Photograph Conservator, Gawain Weaver Art Conservation, San Anselmo, CA, Phil Rutter, Hon Treasurer & Secretary, British Kinematograph, Sound & Television Society, Manuel Joller, coordinator data management, Barbara Fritzsche, support data management, Andreas Bhlmann, support data management, Michelle Beutler, support data management, Sabrina Zger, coordinator data management, Valentina Romero, support data management, Meredith Stadler, support data management, Hannes and Esther Bernhardt, grand supporters, Marianne Flckiger Bsch and Bernhard Bsch, major supporters, Dariush Daftarian and Viola Lutz, supporters, Joanne Bernardi, Associate Professor, University of Rochester.

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was mary poppins filmed in color